This research project, developed as part of the master’s degree in Digital Arts at ITM, focuses on remix studies and archival work in the field of music production. The first ten volumes of the album series ‘Los 14 Cañonazos Bailables’ by the Discos Fuentes label, produced between 1961 and 1970, were analyzed through this lens.
The research has led to the development and creation of a musical performance and a record album, produced by manipulating a selection of Colombian tropical music records.
In this project, remix techniques such as sampling, dub mixing, mashup, artificial stem separation, and remastering were employed. These applied techniques resulted in new compositions that offer a fresh and contemporary reinterpretation of Colombian tropical music